top of page

Inspiration from A Groundbreaking Fashion Icon, Italian Vogue Editor Franca Sozzani

Writer: LISA THARP
LISA THARP
Dec 25, 2017
2 min read

While I am immersed in the world of architecture and design,  I find myself regularly looking to other realms for creative inspiration...  ​Nature, Art, Fashion.



A year ago this month, the fashion world lost an icon at the age of 66.  Franca Sozzani helmed Vogue Italia for 28 years, during which time she elevated magazine editorial to high art. "This is a choice I made... Vogue was in Italian but I wanted to speak to everyone so I thought of creating images that were made to talk."


BEFORE SOZZANI A Vogue Italia 1987 cover

AFTER SOZZANI - A streamlined first cover, "The New Style", heralding a brand new approach.

Sozzani encouraged her editorial teams to look beyond the obvious or commercial. "People want to dream," she says. "They want to take a journey... Fashion isn't really about clothes.  It's about life."  So she took her readers on aspirational, even fantastical adventures, 


Lily Cole in ‘Imaginary Fantastic Bizarre’ by Tim Walker for Vogue Italia, July 2005

​Sozzani saw her role as providing readers with "sensations, feelings. moods..."


Vogue Italia, May 1993. Photography by Steven Meisel.

And she had a lot to say.  According to W Magazine, she "transformed the magazine from one simply about clothes into one that championed its photographers, regularly broke boundaries, and never shied away from important issues." For example, in 2010, she stirred up controversy with the magazine's cover story on the BP oil spill. "I didn't expect [the reaction to the BP feature] at all... there was so much buzz... I don't understand those that say that a magazine such as Vogue should not talk about these things," said Sozzani.


Vogue Italia cover, August 2010. Model Kristen McMenamy, photography by Steven Meisel.

Her only child Francesco Carrazzini's tender documentary, Franca: Chaos and Creation, pulls back the curtain to reveal a woman passionately committed to her two loves:  fashion and her son, at the expense of finding true love for herself.



I connected to this movie on many levels... the desire to elevate design to something higher, the delicate balance of career and parenting that all working women must strike, my respect for Italy's enduring legacy of design and craftsmanship, and the qualities of strong role models on my mother's Italian side of the family — from my own mom, to my aunts, to my brave great-grandmothers who immigrated to a new land.

Thank you, Francesco, for sharing your mom's inspiring biography.  And thank you, Franca, for inspiring me to tell a story, to make people feel, to make them think.. ideals to strive for every day in our work as designers. 

52 Comments


alex+ebl-ryyyymmdda-class-of-09-com-lisatharp-com
3 days ago

Adding a second thought to my note above: the part that lands hardest is how much of Sozzani's editing was instinct — she kept the frames that made her pause, not the ones she could justify. I've noticed the same in my own browsing; the faces I stop on say more about my taste than any style quiz ever did. What's My Type? turns that instinct into an actual test: eight quick rounds, twelve AI-generated faces at a time, and it names the look your picks point to. No email, about two minutes, and weirdly revealing.

Like

alex+ebl-ryyyymmdda-class-of-09-com-lisatharp-com
3 days ago

Franca Sozzani's line about making images that "speak to everyone" is what stays with me here — she trusted visual instinct over explanation. That same gut reaction is what I notice when I flip through a contact sheet: certain faces hold my attention long before I can say why. There's a small browser experiment that isolates exactly that instinct, What's My Type? — it shows 12 AI-generated faces at a time over 8 quick rounds and reads the pattern in the ones you tap. Two minutes, no sign-up, and a surprisingly clear picture of your own visual bias after a post like this one.

Like

alex+ebl-ryyyymmdda-class-of-09-com-lisatharp-com
3 days ago

The 1987 cover next to the streamlined "New Style" one is such a clean lesson in restraint — fewer elements, more nerve. The same instinct shows up in games: I've been comparing that editorial eye with Undertale Yellow, where a whole world is built from a handful of confident visual choices. Worth a look if you enjoy that kind of art direction.

Like

alex+ebl-ryyyymmdda-class-of-09-com-lisatharp-com
3 days ago

Such a good reminder that the sharpest creative direction often comes from outside your own discipline — Sozzani's approach to image-making is a great example of that. I get a similar jolt of atmosphere and style from Undertale Yellow, an indie browser game with a surprisingly bold visual identity.

Like

alex+ebl-ryyyymmdda-class-of-09-com-lisatharp-com
Nov 03

Such an inspiring tribute to Franca Sozzani's creative vision and her ability to let images speak across languages. Storytelling through visual mediums really creates lasting memories, much like using Make Santa Video during the holiday season to bring wonder and excitement to children. Truly appreciate this thoughtful reflection on design and high art.

Like
Lisa Tharp Design Homepage
  • YouTube

© 2026 Lisa Tharp Design

bottom of page